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we focused on the idea of an aesthetic of "the image as constructed by a technological process"
the imaging language of science, magnetic fields, stellar space, planes of representations, processes, radar, maps, microscopes/telescopes, etc.
the imagery of human exploration (in both directions: the infinitely large and infinitely small).
the human eye cannot visualize here without technology as interlocutor, and such imagery is often a functional construction. in the process we came up against the imagery's own limitation (and by extension the limitations of human technology) that can be summarized as kind of muteness of bodies (of being) and an impenetrability of phenomenon by the tools of scientific knowledge.